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Theatres of War in Gaza    by Monica Ruocco
The Critical Edition of "The Actor and the Übermarionette" and Other Published and Unpublished Writings by Edward Gordon Craig on the Art of the Actor - Introduction    by Patrick Le Bœuf
Live--In Person! The Beatles as Performers, 1963-1966    by Philip Auslander
La vitesse du cheval et celle de l’escargot: théories et pratiques de la Surmarionnette chez Edward Gordon Craig    by Didier Plassard
"Commedia dell'Arte" Actresses and Courtesans. Comic Actors and "All'Improvviso" Painters    by Elena Tamburini
Craig and Ibsen. Text Performance and Production    by Lorenzo Mango
Craig towards the Art of the Theatre. The Morning Post Articles of 1903    by Lorenzo Mango
The Art of Watching Actors. A Practical Manual for Spectators of Theatre, Cinema and Television    by Claudio Vicentini
Theory of Acting. From Antiquity to the Eighteenth Century    by Claudio Vicentini
The Actor and Stage Writing    by Lorenzo Mango
The Manuscripts of The Art of the Theatre by Edward Gordon Craig    by Lorenzo Mango
The Italian "Grande Attore" and Nineteenth Century Acting    by Alessandro Tinterri
"Commedia dell'Arte". An Enquiry and Some Incursions into the Meaning of This Term    by Elena Tamburini
The Art and Task of the Actor from Stanislavski to Grotowski and beyond    by Antonio Attisani
Noverre's Lettres sur la Danse. The Inclusion of Dance among the Imitative Arts    by Flavia Pappacena
The Miniatures of Jean Louis Faesch and Their Printed Versions. A Theatrical Paper Museum    by Maria Ines Aliverti
Spanish Theoretical Writings on Acting in the Late Eighteenth and Nineteenth Centuries    by Sandra Pietrini
Pierre Rémond de Sainte-Albine and John Hill. From Le Comédien to The Actor    by Barbara Valentino
Friedrich Ludwig Schröder's Vorschriften über die Schauspielkunst    by Sonia Bellavia
Theory of Acting I. Acting Theory in the Ancient World    by Claudio Vicentini
Theory of Acting II. From the Church Fathers to the Sixteenth Century    by Claudio Vicentini
Theory of Acting III. The Early Italian Treatises and the Theoretical Acting Model    by Claudio Vicentini
Theory of Acting IV. The World of Oratory. Perrucci, Grimarest and Gildon    by Claudio Vicentini
Theory of Acting V. The Birth of Emotionalism    by Claudio Vicentini
Theory of Acting VI. The Critique of Acting and the Development of Emotionalism. D'Aigueberre, Cibber, Aaron Hill and Rémond de Sainte-Albine    by Claudio Vicentini
Theory of Acting VII. Antiemotionalism. Antoine-François Riccoboni, Lessing, Diderot    by Claudio Vicentini
Theory of Acting VIII. The End of Century Debate: Boswell and Tournon    by Claudio Vicentini